Details page

Title
Ergophonics
Original Title
Composer
Hyde, George W.
Year
1993
Editor
Arranger
Year Arranged
Original Instrumentation
Publisher
Cortett Music
Year Published
1995
Catalogue Number
Sheet Music Format
Score (18, wide) & parts (7x4 = 28)
Horns
7
Additional Equipment
Straight mutes
Others
Other Instruments
Duration
6
Structure / Movements
One movement. With relentless vigor.
Clefs
Treble, bass
Meters
3/4, 4/4
Key signatures
None
Range
Horn 1: c1 - c3 Horn 2: c - a2 Horn 3: A - a2 Horn 4: A - d2 Horn A: G - g2 Horn B: G - f#2 Horn C: G - f#2
Creator's Comments
A study foor seven horns - A challenging demonstration of high energy, as a 3-horn choir is cleverly interwoven with the 4-horn group to demonstrate the dynamic vigor of The Horn. Fast tongueing, sharp attacks, rhythmic concentration and solid tone quality are all on display.
Performance Notes
A very interesting composition, with three horns (A, B, C) seated in between the traditional horn quartet setup (so, from left to right, audience view, 4 C 3 B 2 A 1). Hyde starts out with the quartet against the trio, but then mixes them up to provide varying sounds colours coming from different directions. Ergophonics is rhythmic in nature, with the parts interweaving, but at the same time juxtaposing the two groups. This also results in the range being rather limited, and therefore great for a not very advanced ensemble. Some of the stopped passages are in the lower region, which makes them difficult, and there are a fair number of dynamic markings, as well as many accents. Given that the repertoire for 7 horns is so limited, this is a very interesting and welcome addition, taking the focus away from the usual, and re-directing it to rhythm and ensemble playing. The only downside to an otherwise good presentation is the inclusion of a score in sounding pitch. Check out the samples currently available on the Cortett Music website!
Credits
Access to review score: Nancy Joy (NMSU)
Sound
Score