Details page

Title
Bach trios - Volume 4
Original Title
Composer
Bach, Johann Sebastian
Year
Editor
Arranger
Shaw, Lowell E.
Year Arranged
2001
Original Instrumentation
Keyboard
Publisher
Hornists Nest
Year Published
2001
Catalogue Number
HN 83
Sheet Music Format
A4, Score (8) & parts (3x4=12)
Horns
3
Additional Equipment
Others
Other Instruments
Duration
7
Structure / Movements
3 pieces: I Fugue in C major BWV952 II Prelude and fugue in A major from the Well tempered clavier, vol.2 III Fugue in C major BWV953
Clefs
Treble, bass
Meters
C, 12/8
Key signatures
2b, 1#
Range
Horn 1: a - bb2 Horn 2: g - a2 Horn 3: G - bb1
Creator's Comments
The popularity of the first three albums of Bach Trios has shown that other hornists share our enthusiasm for this music. The challenges of the individual parts, the dramatic use of harmonies, and the linear style of writing combine to make for a satisfying musical experience. We are happy to add another set of trios to our catalog. The Prelude and fugue no. 19 from The Well Tempered Clavier occupy the middle paes of this volume. While I have arranged a number of pieces from this monumental work for horns, this is the one pair were both the prelude and the fugue seem to be feasible for horn trio. Originally in the key of A Major, the Prelude has a pastoral feeling and the Fugue is in an energetic style. The metronome markings are open to modification, depending upon the disposition of the performers. The two Fugues, BWV 952 and 953, almost seem to be matched set. Both were originally in C Major, both themes are primarily based on sixteenth note patterns, and theyare quite similar in length. A light approach will probably work best, and again, the tempo can be set to match the capabilities and the mind set of the group.
Performance Notes
As always, Shaw's arrangements are well-balanced, close to the original, and if they deviate, it is noted in the score. The keys of all three works have been changed, from C major, A major and A major (again), to E flat major (B flat major horn pitch), C major (G major horn pitch) and C major respectively. Recordings of the works can be found easily, but even without listening, this volume is an excellent continuation of the previous three.
Credits
Access to review score: Nancy Joy (NMSU)
Sound
Score